

Here's my interpretation of the cover: the balloon represents the thinking of Klausen's readers. They are non-plussed as they consider her censored situation when they should be engrossed in the subject of the book itself: the Mohammad cartoons .
And here's an idea for the Yale Press: when the paperback comes out, change the balloon to a scream. It would represent the feelings of readers who believe the cartoons should never have been removed from the book.
Another disappointing aspect of this case: apparently many of those who argued for censorship had not read the book.
Related post here.
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